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"Mondrian’s static and, uncompromisingly rigid grid is transformed by Roberto Cabot into an elastic net which expands and contracts as it unfolds like a wave in a never-ending undulating flowing motion across the walls of the room. This net neither lends structure to the room not renders it finite. Like a spider’s web, single filaments spread over the walls, conveying the illusion of spatial depth where none is, and obfuscating depth where it exists. These lines generate a space which is neither static not finite. Just as in daily life, these spaces flow into each other, changing direction unexpectedly. Illusion dominates the space; a network camera linked to the computer and the Internet captures the viewers, and then throws the captured image onto the wall in the foyer, ensuring that the viewers see themselves only as they depart. But where is the camera located? And in what room does it capture the viewers? The real, experiential space becomes virtual, and the virtual space expands the real one; they too flow into each other. Participating in this game of illusions is the camera, a technical device invented to elucidate the world and deconstruct it into its individual components.